Suppression in The Yellow Wallpaper

In the nineteenth century, women were often suppressed and controlled by their husbands and other men. In The chicken cover, by Charlotte Perkins Gilman, the narrator is crush to the point of insanity. Gilman uses symbolization when describing the characters, position and the wallpaper allowing the reader to carry out the narrators line of work into madness as a result of pistil slow oppression.\nThe occasions description of the tether important characters allows the reader to bust understand what it would be handle to be a female in the late nineteenth century. The narrator and as well the main character of The Yellow Wallpaper is a young married woman and mother who has recently been experiencing signs of stamp and anxiety. John, her physician husband diagnoses her with short-lived nervous depression---a slight hysterical tendency, and prescribes her three months of the relaxation cure. She was confined to the nursery in their rented summer home, and non allowed to write, interlace with people she wanted to, or see her baby. Anyone in this spotlight could easily progress toward madness. Her husband John is a rarefied physician who tells his wife that he only wants what is best for her, moreover he is being precise controlling. According to the narrator, He has no patience with faith, an intense nuisance of superstition, and he scoffs openly at any talk of things not to be felt and seen and allot down fingers on paginate85. In essence, John encompasses a master rationality that sterilises in challenge for the narrator to try and make John understand her uncomfortableness with her room and what she is seeing in the wallpaper. The third character Jennie is Johns sister, she is a perfect and enthusiastic housekeeper, and hopes for no better profession PAGE 87. She is symbolic of women in the late 19th century who were limit with their domestic roles.\nThe setting in which this account takes place is also imperative to evaluate the symbolism used by Gilman. The story begi...