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Wednesday, March 20, 2019

To Autumn Essay -- To Autumn John Keats English Literature Essays

To AutumnI find this to be a deep enjoyable poem. I take delight in it, eventhough I recognize in it some inadequacy. But, frankly, I like it scoop outof all of Keatss work and know it by memory. It all comes togethernicely and has an exceptionally fine ending.I do non discern any special(prenominal) interpretative problems with this work. The poem is alyrical evocation of autumn with a complex tonal blend which bothcelebrates autumns fullness and wistfully declination its sense of lossand ending. There is nothing in the poem which induces me to judge outa deeper level of meaning, since I believe that poem operates, for the intimately part, at a very literal level.I respond well to the representationaldepiction of autumn in the work (even though it is a assorted course ofautumn than the superstar I am familiar with) and I am generally inclined toenjoy seasonal verse and its mingled potentialities for lyricalexpression. I dont find anything in the poem that gets to me in amor al or philosophical sense. I am not in any sense, moved by thepoem as some kind of--as many scholars claim it is--meditation ondeath. I simply dont see that here. It would come out that my pleasure istaken primarily in the esthetic qualities of the work. However, in that locationis something damage with the work on this score the three differentstanzas dont match and competent one another as well as they might thereis some clumsiness in the work, especially as one moves from onestanza to the next. These faults, however, are not so serious as tomar the excellency of the work.The general plan of To Autumn iscomparatively simple. As a whole, the poem is a lyrical description ofautumn in terms of accredited objects, processes, and events associatedwith that season, or... ...a beautiful poem. There are,of course, flaws in the work--loose ends, slips in structuralcoherence--and these have been state and, we hope, accounted for. Butthe remainder of the evidence points to that kind o f extraordinaryinterrelatedness of elements which is above all the hallmark of abeautiful thing. To be sure, To Autumn is not a very great poemeven without the flaws, it is a relatively modest achievement thevery subtle complexity and sophistication of a Shakespearean sonnet,the dynamically brilliant beauty of Miltonic verse, the dazzlingprecision of pontiff are certainly not in evidence here. Even within thescope of Keatss entire work, if To Autumn lacks some of the moreproblematic discontinuities and lapses to be found in his very bestwritings, it also lacks some of the felicities of aesthetic form to befound in these same works.

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