The Fusion of the Ideal and the Real

The quixotic poet, earth- loo Keats, fuses the ensample with realism through and through his poetry. The rite of the ? eve of St. Agnes? is use to show Madeline her marvelous husband. Sadly, frankness does non drop by the wayside Madeline to exact her exalted husband. In the ?Ode on a classic Urn,? Keats stresses the timeless beauty and truth of the urn to identify its noble-minded nature. He also mentions its true vacuity to manifest the naturalism of the urn. In the ?Ode to a coterminoustingale,? Keats attempts to use the nightingale as a elbow room of leadence to a ? purify realism.? Yet this ?better creation? is solely temporary and sensation essential ceaselessly soldiers issue to reality. These poems of John Keats atomic number 18 prime examples of the usage of the warning and reality in amative poetry. The rite of the eve of St. Agnes is issue to have caused a good deal of a bride?s husband. The vote counter mentions, ?They told her how, upon St. Agnes? even, Young virginals might have piles of delight, And healthy-situated adorings from their loves receive Upon the dulcify?d middle of the night? (46-49). Porphyro uses this as an opportunity to convert integrity Madeline?s prime(a) in him. Porphyro entrust up stakesing disceptation e reallyplace so that Madeline will conceive of of and awake to him. Madeline will reverie of Porphyro and in her dreams, he is the apotheosis husband she has been longing for. The bank clerk says, ?He play?d an quaint ditty, long since mute, In Provence entreat?d, ?La belle dame sans forbearance:? Close to her pinna contact the melody;?Wherewith disturb?d, she address?d a comfortable moan: He ceased?she panted speedily?and suddenly Her sacrilegious affrayed eye liberal open shone??(291-294). The soft moan and underdrawers betoken the pleasure of Madeline?s dream of Porphyro. It seems as though Madeline has seen her precedent husband in her vision. Porphyro nimble for this manipulation really well and it seemed to have caused success. The storyteller says, ?In blanched linen, smooth, and chromatic?d, plot of ground he from forth the closet brought a passel Of candied apple, quince, and plum, and calabash pipe; With jellies soother than the creamy curd, And lucent syrops, colourise with cinnamon bark?? (263-267). This indicated his prep atomic number 18dness for this event. Yet by Porphyro engaged in the religious rite, the idealness of the ritual itself is negated. The ritual is meant to supernaturally allow the virgin bride to have a vision of their true husband. on that pointfore, Porphyro forces ?reality? into Madeline?s ideal dream. likewise Madeline comes to realize that the ideal can non be reality. The fabricator mentions, ?Her eyes were open, alike she still beheld, Now wide awake, the vision of her sleep: there was a painful change, that nigh expell?d The blisses of her dream so pure and deep At which fair Madeline began to weep?? (298-302). Madeline awakes to Porphyro and is somewhat disappointed. She looks at him and begins to weep because she comes to a realization. This realization is that the real Porphyro cannot fit to her ideal Porphyro. The urn, in the ?Ode on a Hellenic Urn,? is portrayed as an ideal and virtually supernatural object. He uses encouraging imagery and portrays it as a timeless image of pass antiquity. The narrator mentions, ?Heard melodies ar sweet, but those unheard ar sweeter; therefore, ye soft pipes, play on; not to the sensual ear, but, more(prenominal) than endear?d?? (11-13). He makes it seem as though the urn is perfect. He also depicts it as of timeless beauty and naturalness. Keats narrates, ? hoagy concentration still unravish?d bride of quietness, Thou foster-child of gloss over and leaden time?? (1-2). The ?unravish?d? bride is supposed to symbolize the purity or virginity of the urn. Referring to the urn as a ?foster-child,? personifies the urn and attempts to comp are it to a human. This fictitious character is used to imply that the urn is not of other urns, as yet it was cared for by humans. This opulent quality apace changes when the speaker system realizes the developed emptiness of the urn. The speaker panegyrics the wo image on the urn, yet realizes that art opens questions un get alonged. The disembodied spirit begins as pleasant praise to violent skepticism. The narrator says, ?What swagger fringed legend haunts around thy shape? (5). Since art is still, it is not dynamic or correctable to being able to dissolvent questions. The narrator also mentions, ?What delirious pursuit? What struggle to fugitive? What pipes and timbrels? What wild ecstasy? (9-10)? The narrator finally comprehends that art does not display the complete biography; art is just the national agency of a mirthful moment.

A singular moment, which does not tell the emotions and covering fireground that are necessary in in bounteous understanding. The ?Ode to a nightingale? explores the sufferings of deathlike life and ways of pull out including alcohol, visual common sense and poetry, and death. The nightingale represents transcendence to a better world and its permissiveness call is the means by which the narrator reaches this state. The narrator says, ?With form bubbles nictation at the brim, And purple-stained address; That I might drink, and leave the world unseen, And with thee fade remote into the forest dim?? (17-20). The narrator motivations to head for the hills his pains through alcohol. He then wants to transcend with the nightingale. He narrates, ?Away! out-of-door! for I will cut down to thee, Not charioted by Bacchus and his pards, further on the viewless travel of Poesy, though the dull read/write head perplexes and retards?? (31-34). He longs to transcend with to the nightingale and to be in a ?better world.?Sadly, the narrator returns to reality and comes to a realization more or less the nightingale. This realization seems to have been prompted by the backchat ? hopeless.? The speaker says, ?The kindred that oft-times hath Charm?d conjuration casements, curtain raising on the foam Of perilous seas, in faery lands forlorn? (68-70). This tidings leads to the narrator?s realization. He then says, ?forlorn! the very word is like a bell To roil me back from thee to my sole self! auf wiedersehen! the fancy cannot darnel so well As she is fam?d to do, deceiving elf? (71-74). He realizes the nightingale has deceived him by convincing him he can escape into the ideal world. He realizes that this world is only temporary and he must incessantly return to reality. In conclusion, John Keats bright fuses the ideal and reality in read to intensify his Romantic poetry. The ? eventide of St. Agnes,? the ?Ode on a Grecian Urn,? and the ?Ode to a Nightingale? are prime examples of his use of the ideal and reality. There is a take place theme of the ideal and how it always must return to reality. BibliographyEve of St. Agnes by John KeatsOde on a Grecian Urn by John KeatsOde to a Nightingale by John Keats If you want to get a full essay, order it on our website: Ordercustompaper.com

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