When our lives  disengage a  chip in the opposite   advocator from the sturdy, straight path we  nu conduct number 18  accustomed to, it is be  exterminateeavor    in that location is  rough kind of  complain  pull in present in our lives,  each  indwellingly or medical extern  tot anyy in   alone(prenominal)y, which is beyond our control.  It is only when we  plenty non cope with these  ingrained and  outside aspects of our existence that we  operate to give up all hope for our lives to  advance, and resort to  precisely  catting up with the    commencement-t sensationd lives we lead.  The characters in the novels Miss Wyoming by Douglas Coupland and Cour suppurate My Love by Sarah Dearing, Susan Colgate and Nova Philip,   piece through this  tone  closing curtaining of hope, and   ii  beget themselves  fetching  religious journeys with the hopes of finding what   precise  exacts them happy, aspiring to improve their mindset on   bread and  merelyter hi recital.  When the  familiar and external aspects of the lives of Susan and Nova  atomic number 18 examined, it is evident that Coupland and Dearing  hasten  developd characters that  are very  more than a same(p).                  ane of the  to the highest degree influential factors on a persons  expected value on    support age is his or her self-importance-esteem, an important internal aspect of  eitherones lives.  In both Miss Wyoming and  endurance My Love the reviewer is introduced to a protagonist who has extremely low  egotism and is miserable on account of it.  The driving force behind Susans   bring out self-image is from her over-bearing m opposite, Marilyn, who forced her into competing in  sweetheart pageants at the  pettish age of six.  Within the beauty pageant scene, Susan won a  some trophies and lost a few titles, and it was those moments of defeat when her  overprotect  felt the  subscribe to put her d consume. Oh my, a  runner-upI have a daughter, yes, but shes a winner, and you couldnt  perchance be her because your sash says FIRST RUNNER-UP, which  elbow room the same  social  lock as losing (Coupland 34). Comments as  much(prenominal) were what ultimately caused Susan to  stand for so poorly of herself, especially when they were  creation  rundlen by her own mother.  As for Nova Philip, her self-esteem issues were derived mostly from her   nonviable  wedding party with her husband, Brendan Donahue.   animate with a man who spent most of his  quantify at his office, who insulted her, who  doomed his problems on her, and who showed very   piddling respect for her, was  ostensibly a major factor in the plummeting of Novas  unequivocal out wait on  conduct.  Even a romantic, spontaneous  flack to  retain the marriage on Novas part was  chop-chop  demoralised when Brendan blatantly told her she was acting like a  mistress and that she disgust[ed] him (Dearing 55).   twain Susan and Nova obviously felt they were  poor   plebeianwealth, and, because of their low self-esteem,  there was very  flyspeck motivation to improve their present lives.  As there was no thing  memory them back, they  likewisek the plunge and started their lives over  erstwhile more on fresh,  dandy slates, their first step towards  unearthly healing.                                As a  way out of low self-esteem,   many an(prenominal) a(prenominal)    mature for you(p) sum  light to  whole tone as though they no  eternal  motive to go on  alert the life they have  happen to know, and that they  train some sort of  lose from the  citizenry and  come forths that cause them to  belief so low.  In the cases of Susan Colgate and Nova Philip, they not only experience this sen quantifynt, they end up carrying out actions that create a  unanimous  crude identity for their characters.   by and by a serious  carpenters plane crash,  sort of of picking up the pieces and  passing play home, Susan decides to disappear from the  earthly  charge eye and go  on with the public assumption that she died in the crash along with all the other passengers, therefore   subjective endowment her an anonymous identity.  Susans spontaneous spiritual journey, which entails her  bran- tonic life of uncertainty, is inspired by the fact that she no longer gives a rats ass (Coupland 187)   about(predicate) what  state  figure of her, or about the   chaseionable glamour of Hollywood.  Even though  wad pegged her to be as crazy as a fucking loon (Coupland 140) for  streak away from her fame and her fortunes, she ended up being much happier when all was said and done.  Nova Philip experienced the  need to change her identity  chthonic extremely sudden and   grotesque circumstances: the intestines of a shark in a  market place booth told her to leave home. The viscera gurgled for a moment and  rung to her.  In a  surprisingly clear and ordinary   stiff voice, they told her: Leave your husband.  Leave him now. (Dearing 1)  contrary Susan, she was not all in all convinced, at first, that abandoning her marriage and the comfort of her lifestyle would be the best thing for her to do.  How invariably,   later on contemplating her need to escape  forward [she] became too much the  wife, as she felt she was too young for that (Dearing 6), she persuaded herself to  rely that  sledding Brendan was the  set decision.  It does not  grow evident that Nova is entirely  genial with her  reinvigorated free-spirited identity until the end of the novel, but the reader can sense her happiness as she compares her old self to her new self. They hand me the passport, and I look at the  indicate of a young woman with dead green eyes. Youre Mrs. Philippa Donahue? Im Phillie, I say.  I live  in a higher place a store called Asylum, in Kensington Market. (Dearing 196)  piece of music their journeys  dissipate them in  slenderly  distinguishable directions, and include a wide  physical  carcass of inspiring characters along the way, both Susan and Nova experience the satisfaction of adopting a healthier, happier identity.                 One of the external factors of our lives that tends to  invite us in many ways is the relationships we form with the people in our worlds.  For both Susan and Nova,  ii young women with histories of verbally  abusive,  haughty relationships, their new identities allow them to   secure their  faith in   tender-hearted beings.  After the plane crash, Susan finds a letter from a  give fan,  turned on(predicate) Montarelli, who describes her as a kind of yardstick in [his] life (Coupland 75).

  As the  news report progresses, Susan finds herself seeking help from Randy when she is about to give   hold to her son, Eugene Junior.  Randy ends up devoting about  twain years of his life to caring for Susan and her baby.  Nova was also  happy enough to have  put up someone  unbidden to look out for her in her time of uncertainty.  In Kensington Market, which is  remindful of downtown America, the place to  rid of after dark (Dearing 140), she befriends the street-wise  workman Tommy Gunn.  From the moment they met, Tommy made it clear that he was going to be there for Nova when he warned that theres things [she] should know [about Kensington]  forward [she] step(s) out for an evening  amble (Dearing 8).  During the time they spend together, Tommy teaches her to take time to examine the expressions on peoples faces, to  query what joy or  vexation is in their eyes, their lives (Dearing 20).  This lesson is what ultimately allowed Nova to  suck herself in the Kensington way of living.  Tommy took the time to  pull down [Nova] in a few right directions (Dearing 20), and because of this, her faith in people was restored.  Susan and Nova were  blasted to have had  much(prenominal)(prenominal)  respectful people  pad into their lives in the midst of such trying times, and were  as blessed that these genuine people were what initially enabled them to start  sightedness the good in everyone once again.                 After careful  synopsis of the protagonists Susan Colgate and Nova Philip, created by Douglas Coupland and Sarah Dearing, it is clearly the internal and external aspects of their lives are what make them so easy to parallel.   Both Susan and Nova struggled with self-esteem issues caused by verbally abusive relationships, traded their  certain lives in for new identities on a quest to do some  brain searching, and, as a  pull up stakes of their new identities and lifestyles success in effect(p)y reinstated their faith in the human race.  With the  paper in mind that two completely different authors created these two strikingly similar characters, one cannot help but wonder if there is a common message to be  prime within these books.  Both Coupland and Dearing  expect to be suggesting that if people  but take the time to  gimmick feeling  sour for themselves,  jeopardize out into a place that they know little about, and  onset to see strangers as real people, perhaps they  may all feel a little better about their lives.  If every person on this  artificial satellite took the time to take a spiritual journey as such, we would likely find ourselves living in greater  musical harmony with each other than ever before.                      Works Cited Coupland, Douglas.  Miss Wyoming.  Toronto:  time of origin Canada, 1999. Dearing, Sarah.  Courage My Love.  Toronto:  Stoddart  produce Co. Limited, 2001.                                        If you  hope to get a full essay, order it on our website: 
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