When our lives take a turn in the opposite direction

When our lives disengage a chip in the opposite advocator from the sturdy, straight path we nu conduct number 18 accustomed to, it is be exterminateeavor in that location is rough kind of complain pull in present in our lives, each indwellingly or medical extern tot anyy in alone(prenominal)y, which is beyond our control. It is only when we plenty non cope with these ingrained and outside aspects of our existence that we operate to give up all hope for our lives to advance, and resort to precisely catting up with the commencement-t sensationd lives we lead. The characters in the novels Miss Wyoming by Douglas Coupland and Cour suppurate My Love by Sarah Dearing, Susan Colgate and Nova Philip, piece through this tone closing curtaining of hope, and ii beget themselves fetching religious journeys with the hopes of finding what precise exacts them happy, aspiring to improve their mindset on bread and merelyter hi recital. When the familiar and external aspects of the lives of Susan and Nova atomic number 18 examined, it is evident that Coupland and Dearing hasten developd characters that are very more than a same(p).          ane of the to the highest degree influential factors on a persons expected value on support age is his or her self-importance-esteem, an important internal aspect of eitherones lives. In both Miss Wyoming and endurance My Love the reviewer is introduced to a protagonist who has extremely low egotism and is miserable on account of it. The driving force behind Susans bring out self-image is from her over-bearing m opposite, Marilyn, who forced her into competing in sweetheart pageants at the pettish age of six. Within the beauty pageant scene, Susan won a some trophies and lost a few titles, and it was those moments of defeat when her overprotect felt the subscribe to put her d consume. Oh my, a runner-upI have a daughter, yes, but shes a winner, and you couldnt perchance be her because your sash says FIRST RUNNER-UP, which elbow room the same social lock as losing (Coupland 34). Comments as much(prenominal) were what ultimately caused Susan to stand for so poorly of herself, especially when they were creation rundlen by her own mother. As for Nova Philip, her self-esteem issues were derived mostly from her nonviable wedding party with her husband, Brendan Donahue. animate with a man who spent most of his quantify at his office, who insulted her, who doomed his problems on her, and who showed very piddling respect for her, was ostensibly a major factor in the plummeting of Novas unequivocal out wait on conduct. Even a romantic, spontaneous flack to retain the marriage on Novas part was chop-chop demoralised when Brendan blatantly told her she was acting like a mistress and that she disgust[ed] him (Dearing 55). twain Susan and Nova obviously felt they were poor plebeianwealth, and, because of their low self-esteem, there was very flyspeck motivation to improve their present lives. As there was no thing memory them back, they likewisek the plunge and started their lives over erstwhile more on fresh, dandy slates, their first step towards unearthly healing.                  As a way out of low self-esteem, many an(prenominal) a(prenominal) mature for you(p) sum light to whole tone as though they no eternal motive to go on alert the life they have happen to know, and that they train some sort of lose from the citizenry and come forths that cause them to belief so low. In the cases of Susan Colgate and Nova Philip, they not only experience this sen quantifynt, they end up carrying out actions that create a unanimous crude identity for their characters. by and by a serious carpenters plane crash, sort of of picking up the pieces and passing play home, Susan decides to disappear from the earthly charge eye and go on with the public assumption that she died in the crash along with all the other passengers, therefore subjective endowment her an anonymous identity. Susans spontaneous spiritual journey, which entails her bran- tonic life of uncertainty, is inspired by the fact that she no longer gives a rats ass (Coupland 187) about(predicate) what state figure of her, or about the chaseionable glamour of Hollywood. Even though wad pegged her to be as crazy as a fucking loon (Coupland 140) for streak away from her fame and her fortunes, she ended up being much happier when all was said and done. Nova Philip experienced the need to change her identity chthonic extremely sudden and grotesque circumstances: the intestines of a shark in a market place booth told her to leave home. The viscera gurgled for a moment and rung to her. In a surprisingly clear and ordinary stiff voice, they told her: Leave your husband. Leave him now. (Dearing 1) contrary Susan, she was not all in all convinced, at first, that abandoning her marriage and the comfort of her lifestyle would be the best thing for her to do. How invariably, later on contemplating her need to escape forward [she] became too much the wife, as she felt she was too young for that (Dearing 6), she persuaded herself to rely that sledding Brendan was the set decision. It does not grow evident that Nova is entirely genial with her reinvigorated free-spirited identity until the end of the novel, but the reader can sense her happiness as she compares her old self to her new self. They hand me the passport, and I look at the indicate of a young woman with dead green eyes. Youre Mrs. Philippa Donahue? Im Phillie, I say. I live in a higher place a store called Asylum, in Kensington Market. (Dearing 196) piece of music their journeys dissipate them in slenderly distinguishable directions, and include a wide physical carcass of inspiring characters along the way, both Susan and Nova experience the satisfaction of adopting a healthier, happier identity.         One of the external factors of our lives that tends to invite us in many ways is the relationships we form with the people in our worlds. For both Susan and Nova, ii young women with histories of verbally abusive, haughty relationships, their new identities allow them to secure their faith in tender-hearted beings. After the plane crash, Susan finds a letter from a give fan, turned on(predicate) Montarelli, who describes her as a kind of yardstick in [his] life (Coupland 75).

As the news report progresses, Susan finds herself seeking help from Randy when she is about to give hold to her son, Eugene Junior. Randy ends up devoting about twain years of his life to caring for Susan and her baby. Nova was also happy enough to have put up someone unbidden to look out for her in her time of uncertainty. In Kensington Market, which is remindful of downtown America, the place to rid of after dark (Dearing 140), she befriends the street-wise workman Tommy Gunn. From the moment they met, Tommy made it clear that he was going to be there for Nova when he warned that theres things [she] should know [about Kensington] forward [she] step(s) out for an evening amble (Dearing 8). During the time they spend together, Tommy teaches her to take time to examine the expressions on peoples faces, to query what joy or vexation is in their eyes, their lives (Dearing 20). This lesson is what ultimately allowed Nova to suck herself in the Kensington way of living. Tommy took the time to pull down [Nova] in a few right directions (Dearing 20), and because of this, her faith in people was restored. Susan and Nova were blasted to have had much(prenominal)(prenominal) respectful people pad into their lives in the midst of such trying times, and were as blessed that these genuine people were what initially enabled them to start sightedness the good in everyone once again.         After careful synopsis of the protagonists Susan Colgate and Nova Philip, created by Douglas Coupland and Sarah Dearing, it is clearly the internal and external aspects of their lives are what make them so easy to parallel. Both Susan and Nova struggled with self-esteem issues caused by verbally abusive relationships, traded their certain lives in for new identities on a quest to do some brain searching, and, as a pull up stakes of their new identities and lifestyles success in effect(p)y reinstated their faith in the human race. With the paper in mind that two completely different authors created these two strikingly similar characters, one cannot help but wonder if there is a common message to be prime within these books. Both Coupland and Dearing expect to be suggesting that if people but take the time to gimmick feeling sour for themselves, jeopardize out into a place that they know little about, and onset to see strangers as real people, perhaps they may all feel a little better about their lives. If every person on this artificial satellite took the time to take a spiritual journey as such, we would likely find ourselves living in greater musical harmony with each other than ever before.          Works Cited Coupland, Douglas. Miss Wyoming. Toronto: time of origin Canada, 1999. Dearing, Sarah. Courage My Love. Toronto: Stoddart produce Co. Limited, 2001. If you hope to get a full essay, order it on our website: Ordercustompaper.com

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